Categories: Video

Video: Wu-Tang Clan – NPR Music Tiny Desk Concert

&NewLine;<iframe width&equals;"560" height&equals;"315" src&equals;"https&colon;&sol;&sol;www&period;youtube&period;com&sol;embed&sol;ALUKDkOxVPo" frameborder&equals;"0" allow&equals;"accelerometer&semi; autoplay&semi; encrypted-media&semi; gyroscope&semi; picture-in-picture" allowfullscreen&equals;""><&sol;iframe>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">&NewLine;&NewLine;Dec&period; 5&comma; 2018 &vert; Abby O&&num;8217&semi;Neill &&num;8212&semi; The Wu-Tang Clan gathered at the Tiny Desk to commemorate the 25 years since the release of the group&&num;8217&semi;s landmark album Enter The Wu-Tang &lpar;36 Chambers&rpar;&period; With more than 60 albums between the various members&comma; The Clan&&num;8217&semi;s combined discography left them spoiled for choice when it came to narrowing down the set list for their performance&period; The result was an extended&comma; 20-minute medley of songs from across the group&&num;8217&semi;s iconic catalog&period;&NewLine;&NewLine;The retrospective mashup of Wu classics started with the posse cut &&num;8220&semi;Triumph&period;&&num;8221&semi; Backed by strings &lpar;The Green Project&rpar;&comma; the performance morphed into an old-school cipher as Raekwon&comma; Inspectah Deck and Cappadonna traded verses with Masta Killa and U-God&period; Young Dirty Bastard&comma; son of original member Ol&&num;8217&semi; Dirty Bastard&comma; provided a spark of energy reminiscent of his father&period;&NewLine;&NewLine;At one moment in the performance&comma; RZA — the mastermind behind the Clan&&num;8217&semi;s success — omits some explicit lyrics from earlier in his Wu journey&comma; while alluding to the <a href&equals;"https&colon;&sol;&sol;www&period;youtube&period;com&sol;results&quest;search&lowbar;query&equals;&percnt;23MeToo">&num;MeToo<&sol;a> movement mid-cadence&period; But it&&num;8217&semi;s the poetic interlude&comma; read from his phone at the close of the set&comma; that better reflects his current state of consciousness&period; &&num;8220&semi;Wu-Tang is for the kids&excl;&&num;8221&semi; RZA proclaims&period; The core of the group began as childhood pals in Staten Island in the early &&num;8217&semi;90s&comma; when the crew&&num;8217&semi;s creative philosophy was influenced by everything from Saturday afternoon kung-fu flicks to the spiritual wisdom of the Five-Percent Nation&period; As they&&num;8217&semi;ve matured&comma; Raekwon still describes the Wu as &&num;8220&semi;superfriends&period;&&num;8221&semi; They&&num;8217&semi;ve allowed each other to grow and form various offshoots in recent years&period; But when the Wu-Tang Clan comes together&comma; they still bring a love for the culture and for their brotherhood&period;&NewLine;&NewLine;Set List&NewLine;&&num;8220&semi;Wu Classics&&num;8221&semi;&NewLine;&NewLine;Credits&NewLine;Producers&colon; Abby O&&num;8217&semi;Neill&comma; Morgan Noelle Smith&semi; Creative Director&colon; Bob Boilen&semi; Audio Engineer&colon; Josh Rogosin&semi; Videographers&colon; Morgan Noelle Smith&comma; Kaylee Domzalski&comma; Maia Stern&comma; Bronson Arcuri&comma; CJ Riculan&semi; Editor&colon; Kaylee Domzalski&semi; Production Assistant&colon; Brie Martin&semi; Photo&colon; Cameron Pollack&sol;NPR&NewLine;&NewLine;<&sol;p>&NewLine;

QueFourFive

Media Professional. Creative mind behind Ground Up Radio

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